Description
The monograph, edited by Professor Teodosio Martucci, documents the surprising and significant existential and creative parable of Amleto Bertrand, which is part of the second half of the twentieth century and coincides, especially in the twenty-year period between 1950 and 1970, with a phase of particular cultural suggestion and stimulus that naturally did not fail to sensitize and inspire a spirit that was by nature receptive and devoted to art like him.
“With Amleto Bertrand, that increasingly rare figure of “pure”, “instinctive” artists vanishes, in which the inventive drive is extremely free, without conditioning, devoid of subtle or less market strategies, and simply wants to exist with its vitality and its art.” (Teodosio Martucci)