TOSATTI BIANCA – Prinp Editoria d'Arte https://prinp.com/en/ Prinp Editoria d'Arte 2.0 Thu, 07 Mar 2024 15:03:54 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 https://prinp.com/wp-content/uploads/2022/02/cropped-logo_prinp-X1-32x32.png TOSATTI BIANCA – Prinp Editoria d'Arte https://prinp.com/en/ 32 32 Fabrizio Roccatello LA MAGIA DELL’OCCHIO https://prinp.com/en/prodotto/fabrizio-roccatello-la-magia-dellocchio/ Wed, 06 Mar 2024 14:32:55 +0000 https://prinp.com/?post_type=product&p=7694 The monograph documents the exhibition, set up at the Gliacrobati Gallery in Turin, dedicated to Fabrizio Roccatello, an artist who works by hand with traditional means and methods dictated by the ancient knowledge of the professional restorer: “My sculptures are composed of different essences: noble woods and poor. Walnut, cherry, pear and mahogany are considered valuable essences for their grain and their compact grain; beech, chestnut, oak, poplar, pine and fir are poor because they are resinous, soft and coarse-grained”.
The works, which at first glance seem playful, at a second glance reveal and convey the anxieties that inhabit the artist. They are frankly polychrome sculptures, masterfully polished, which seem to be partly inspired by pop culture and twentieth-century design, and at the same time endowed with a symbolic visual language that brings to mind neo-surrealism, but with some touches of noir.
They are works, contraptions, which invite us to think and offer themselves to interaction both through mechanical devices – which intentionally influence the posture of those who act – and through provocative messages made of sharp nails, inquiring glances, coming from objects, dolls and amputated dolls, denouncing the deprivations imposed by current generations on those of the future.

The volume has been produced by GliAcrobati Gallery, Turin.

]]> Bianca Tosatti CON IL SENNO DI POI https://prinp.com/en/prodotto/bianca-tosatti-con-il-senno-di-poi-en/ Tue, 16 Mar 2021 20:38:02 +0000 https://prinp.com/?post_type=product&p=5310 Nulla rimane fermo. Nulla rimane nostro]]> Con il senno di poi represents a rethinking of drifting texts found during a moving operation: they floated lost in an empty time, irrelevant and incomprehensible if taken one by one, but significant if referable to an existential continuum. In some cases, visionaries and narrative ideas, digressions, counter-points, trespassing have been added.
The book begins with a goat and ends with a horse, but in between are lions, fish, dogs and other animal creatures. Some chapters are independent, they could be detachable files. The book is the result of a recovery of drifting texts floating in the empty and restless time of a move. The restlessness, reaffirmed in the cruel isolation of quarantines, has produced visionary and trespassing, digressions and counter-points in the stories. The goal is to reconcile criticism with narration by accepting that the artistic object denies the sensitivity of the beholder: for this reason, in addition to historical documents, the author considers the importance of clues, of disorganized fragments, of this which is generally silenced in the experience of the encounter with art.

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