Manlio Gaddi – Prinp Editoria d'Arte

Manlio Gaddi ANTONELLA MAGLIOZZI

Dario — Mon, 31 Mar 2014 13:16:33 +0000

Illustrating Magliozzi’s vision is very difficult, between magmatic implosions, which allude to an ebb of images towards the indistinct, towards a state of equilibrium never reached, as if the constant of Le Chatelier were never reachable, and explosions that release forms winking, hallucinating and sometimes hallucinating. Appearance is played on non-symbolic elements, which do not close in their graphic outlines or in the chromatic scale, which is a dazzling traverse throughout the chromatic cycle.

Manlio Gaddi CHEN XIAOHONG. PITTURA GONGBI

Dario — Sun, 19 May 2013 15:54:12 +0000

“It is difficult for those accustomed to the canons of Western art, with its subjects and perspectives born of Piero della Francesca, to understand at first glance the spirit that animates Chinese painting, which belongs to another world, of which it maintains a the primordial spirit is still unchanged today, respecting techniques and subjects. In order to understand the work of the painter Xiaohong, it is necessary to have at least some elements that make it possible to read and interpret it. The foundation of Chinese painting is constituted by the famous “Six principles of painting “, defined for the first time by Hsieh Ho, in his famous treatise Ku Hua P’in Lu (which can be translated as Ancient chronicle of the classification of painters) written at the end of the 5th century AD. The first, which is undoubtedly the most important because it contains the essence of all Chinese pictorial art … ” (Manlio Gaddi)

Manlio Gaddi GIANMARIA LEPSCKY

Dario — Wed, 17 Oct 2012 14:20:52 +0000

The volume documents the rediscovery of Gianmaria Lepscky (1897-1965), a Venetian painter who had great notoriety before falling into oblivion from which he has recently been recovered thanks to two large retrospectives (2011 Complesso Monumentale San Paolo di Monselice and 2012 Monastero di Santa Maria in the Cividale del Friuli Valley). The monograph contains texts by Manlio Gaddi and Laura De Zuani, the biographical chronology, the recent bibliography and over two hundred reproductions of works, with ample space for studies and sketches for frescoes in churches and military ossuaries.